(a prompt from my workshop, finish the sentences "Well, what can be done but..", "What I meant to say was..", and "When I looked under my..") I hope YOU enjoy it.
Well, what can be done but replace time with a journeyman's epic of heroic hands, made quicksilver not by an assurance of immortality but of age through the clock's resurrection.
What I meant to say was what I said, only never as elegant, and I'd hope to wrap you in lightening-cut ribbon, exotic imports from the blood rivers I never touched.
When I looked under my clothes I saw the infection I caught from my travels, but a year of burning you soothed with the milk of hours.
Well, what can be done but settle in; we are weary from movement and our hands are still.
What I meant to say will never veer from what I said; you have my words.
When I looked under my clutter of maps which only led me lost, I found you and you led me home.
We have seen the world; let's take the night and tell our stories.
If I needed paper clips and coffee
and this was a Wal-Mart in South Dakota,
that would have been you.
If I were calm, transcendent,
and this was a bath house in Tibet,
it would have been you I saw in the steam.
If I were screaming, birthing,
and this was a hospital in Kentucky,
you would be the nurse the room.
If my skin was like cocoa,
and this was a river in India,
you would be washing your linens downstream.
If I was tired to my core,
and this was a bus stop in Ohio,
it would be you on the bench beside me.
If I were in uniform
and this was Vietnam in '71,
that would be you looking at me from the side of the road.
If I had perfect timing,
and this was a different place,
that would have been you.
But I am working,
and this is a grocery store in North Carolina,
and that wasn't you.
And I know by now,
that when this is New York City,
that blur on the subway won't be you either.
Super late..
For MNC (haha I am so subtle with my initials.. )
From titles of Joseph Waumbaugh's books..
Let's run through your lines and shadows
or if, in this fugitive night,
I've stained your skin
giving you the fix you begged for,
I'll back into the corner
and listen to your medicated monologue
as it echoes in the darkness,
each word a further poison,
cruel and unforgiving and loved
like bourbon
and the way it shines under streetlights
in swaying, aching hands,
the golden orange of it
poetic against the black backdrop
of footsteps walking way
I hope your words,
thick with more than theatrics,
serve you as much as you serve them
and keep you locked into this freedom
to which you dedicate
the slow-burn of the heart-thick paper
of my scripture
and the steady sound
of the rolling of the black marble
that is your mystery,
so solid, inscrutable, and yours
that it has lost its addict
for lack of inspiration
and replaced her with
footsteps, walking away,
in time with the endless
sound of the rolling black marble,
discovering that it is no longer
a mystery for mystery
is laced with light
Old, needs editing.
Don't ignore me
I've swollen to such great pressure
that I am bloodied deeper color
I am the needing giving valentine folds of your lungs
a quiet, honest bag that waits until the spastic climax of
dry and empty flapping dying until
the release from drowning saturates me
as you breathe in and keep yourself alive
and lets me fill as sails with wind
and yellow rooms with light
and crystal balls with belief
I am the color you don't notice underneath your fingernails
the passive blush that makes you sewn, not sketched
I am the wine that lives alone with you
I am the sky that pitched you motionless acrobatic
I am the means of dying
I am whole to hurting
Don't ignore me
I am the depth of awe that you cannot nurse tame to words
I am just yours
THis might already be on here, but I am too lazy to look.
My witness is the empty sky
witness to a baptism
like coming of age
the brands of the burning world
only thickening the channels
of blue rivers running through my arms
only stocking strength in my hands
which used to be small, not mine,
but momma's to hold
and I'm scared of losing
my gentility, grace that stays
only with the desire to grow up
scared of growing big so I hurt,
big like I can't hold no elegance
and I'm set up to work in
coal and oil, corrosive,
set up to laugh like a machine
that grinds men's bones and years
but I don't want to live like that
I want to be barefoot and run,
no heavy boots on me,
I want to swim in God's blue rivers,
lay to rest in His big hands,
big with no want of elegance,
I want to live like I
can't ever hurt anything,
just me and all the world,
with the empty sky my witness
and my friend, fields that can
touch my hands like my momma,
and waters that can wash me clean,
baptism like running away
Late, again
Late getting on here
Allow me the faith of streetlights in the
broad set of this pasted night and
call me voiceless since I won't speak to hear your
dying childhood speaking your voice
elderly, like I could
feed you elixir and again watch you
grow, like a mother, I'll want to see your
hands stretch into mine and your
identity lay itself comfortably between your teeth
just to know exactly who you are
kaleidoscope piecework from the drawers of
last-hour artists shuffling through junk or gold to
make you, I'll want to know exactly what it is that made you
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